Tuesday, November 6, 2012

Four Year Itch


            Election Day works as a sort of tab in a binder full of papers (not women) representing your life like a presentation tended to be handed in to God or Buddha or whoever or whomever the binder will be thumbed through nodding their head and looking over the work you’ve done.
            Every four years, the climate of political action begins to stir and the media buzzes with the constant newsfeed their viewers are now suddenly engaged in – it’s a whole connectivity that occurs on that fateful day when we all take a moment and step outside of our daily lives to make a decision for a much grander, broken picture that we want to hope we can fix.
            Or at least that’s what I think.
            But that’s the point of being American, no? That I can toss in a metaphor about a life binder and make an opinion about how voting awakens people and unites them in remembrance that they live in the United States of America.
            Four years ago I could give a crap about everything I just stated.
            For reals.
            I’m not proud about being frank here, but regardless, I really didn’t care. I had other concerns at that time like graduating and figuring out what the next step was in my life. What did my next goal entail and where would I direct my ambitions and drive? Where would I focus my personal power (I know, dramatic, but that’s what was crossing my mind: personal power)?
            I was plagued by the weight of my decisions in 2008. But so was Obama. And McCain. Hell, maybe even Palin took a moment to consider a few things…or maybe not. I’m not sure. That woman makes me nervous – and not in the exciting whoknowswhatshe’lldonext kind of way. No – she made me nervous in a I’mgoingtoclosemyeyestillit’sover way. But I digress.
            The way I voted back in 2008 was that of typical ignorant young voter. Again, I’m not proud. I looked at my ballot like I would look at my Scantron in my oceanography class: bewildered and slightly panicked. My eyes grew big as I realized I only knew one answer: the President. That’s it. That’s as far I went when I allowed myself to get caught up in propaganda and the immediate coolness of Barack Obama and his “Yes We Can” magic. It was the first time I was charmed by a politician and the first time I welled up with tears during speeches given in several middle, square states watched closely in the small frame of my laptop screen.
            I let myself walk right up to that cardboard voting booth, and pass casting my vote for Obama, stand idle as I wished I could copy off my neighbor.
            It was a democratic low – a personal low – that I did not inform myself because I was busy with “other things.”
            2012, I registered myself (not a kind volunteer doing all the work for me on campus), I looked up my polling location (not merely walking to school and following the rest of the crowd), I studied (versus not), and I confided in close friends who knew more than I in certain propositions. During my last vote I didn’t realized that they even existed, furthermore, whether I was suppose to mark “yes” or “no.”
            It’s a surreal and humbling thing to realize you’re never you’re best. There’s always need for improvement, even if you don’t see it at the time. I sure thought I was the best thing ever having conquered four years of college on track and with an above average GPA back in 2008.  I was the shit.
            It’s embarrassing.
            Settling comfortably at 26 years old (in three days to be exact), I am accepting my own endless lists of improvements and making daily mental notes on what I should do versus what I want to do. I’m trying to cope with my current status as yet another writer lost in the white noise – figuring out how can break through because it will matter. I matter. It’s even hard to write that – that I matter – as a writer. When you both accepted your infinite state of progression and passion to lead – be it literary or political - it can be daunting. Just a little. 
            Who knows what I’ll record on the next tab, 2016, and who knows who’ll be reading. I can only hope to be better.
            So I voted.
           
           
            

Tuesday, July 10, 2012

Lady Sings the Booms


****Prompt: Write about music. 

I can't wait to see her live for myself Oct. 5th...


  Since YouTube first hit the viral scene it changed things. It made superstars in basements, in bedrooms, and in their living rooms. People made their computers: the PCS and their Macbooks into their studios. They press record and just go for it.
            Fearless.
            The Internet does that – all that space between your computer screen and the audience you don’t know; it’s conquerable. Magic happens; it’s like lightning interrupting your connection when you watch a video and someone important emerges. A voice you can’t get out of your head. A beat that pulsates still even after the loading bar has finished. You drag it back to the beginning just to see it strike all over again.
            This is Kimbra – at her live recording of “Settle Down” at SXSW. She sets herself up with two mics and her band: her iPads, standing side by side on a small table to hold each close to her. A large green billboard advertising her sponsor: an Internet radio player. Who thought any of those words would be said altogether?
            She’s adjusting the height of each microphone as a large crowd is already standing and waiting to see what will happen next. A few heads from the poke from behind their neighbor’s back to see if they’ve missed anything - just in case.
            There’s a sense of anticipation in all their faces. Their eyes darting back and forth to the crowd around them wondering if they’re thinking the same thing they are: who is this girl?
            Kimbra, meanwhile, is attentive to having her instruments opened and loaded. Her black bob envelopes her thin and delicate face. Full bangs complete the frame and you could almost mistake her for pinup doll if not for the unkempt waves that make her wild. Natural.
            She licks red painted lips and begins to form a steady hip-hop beat and then finishes it with a hiss.  Punching the air with the beat and softening it with the hiss she loops the first layer of the track and hits repeat. It continues to play as she brings her mouth back to the mic to lay the next layer: the booms.
            Boom.
            Boom.
            Boom.
            Again.
            Boom
            Boom
            Boom.
            Her cheeks hard at work to make it bump.
            She glides her fingers and the booms mixes with the beat and the hiss. They play altogether and the volume rises.
            People begin to get excited. More heads begin to move in and out of the crowd to get a glimpse, make sure it’s real.
            And then she sings.
            Pops her cardigan’s collar and that’s when I love her
             When a fan is born.


Thursday, June 21, 2012

The Battlegrounds


***Class Weekly Prompt: Play with description. 
          



          The thick clear glass is fully erect in front of me. Framed by two large metal poles. It’s sleek and the world behind its wall is still alive and buzzing unhindered by its presence. Its first priority belongs to the pastries, the tarts, and the sandwiches that look to it for protection. Both a bodyguard and a thing of beauty, the glass wall stands before the busy crowds of patrons to let them know,

            “Hello, welcome to Paper or Plastik. Do not touch, but please look all you want.”

            It’s like a cocktease really. But I digress.

            A white paper towel follows my hand as I smooth the surface of the glass and wipe away any remnants of fingertips, the markings of a hungry and not yet satisfied customer. However as I wipe I’m curious of the number of prints I see today – only a few.
            As I return myself to the other side to join my allies amongst the pastries, the tarts, and the sandwiches, working for the greater customer service good with my fellow soldiers, I see her. She is a tall opponent. I estimate five feet and seven inches. As she approaches the clear sparkle of the glass she bends down and looks. I smile in her direction and allow her to have her moment with the edible merchandise. Every person likes to have that moment, even if it’s just a quick one, but interrupt and you will incur the wrath of your enemy earlier than necessary. Hence the brilliance behind our weapon of choice: the glass. Not only there to protect but state, along with its welcome,
           
            “I am the boundary.”

            I see its purpose. She, the five feet seven inch she-devil, does not.

            As she begins to unbend her knees and rise over the glass, it happens.
            With as much ease as blinking an eye, she takes her large, thin arm and strikes. The massive ringing sounds of alarm fill my eardrums. I panic and can’t help but watch the act of violation occur in slow motion. With her entire right arm over the glass barrier, her finger points and settles mere inches away from the croissant in question to satisfy the hungry beast within. She has the audacity to make eye contact:

            “What is this one?”

            The ringing in my ears stop, I swallow my urge to run and defend the glass that so helplessly stands underneath the arm: powerless, useless. I can no longer look at it I’m filled with such disappointment. As I answer that the croissant is filled with Gruyere, sage, and sea salt, the register is ringing and I’m accepting dollar bills from the very same hands that tainted my loyal comrade, the glass. She walks away quicker than she came, and I stand there before it: no prints to wipe but just clear vast emptiness that is before me.

            “You failed.”  I tell it.
             And fantasize about smashing the Gruyere, sage, and sea salt eater’s head into it and killing two birds with one stone - so to speak.